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A companion to Eastern European cinemas

種類:
電子ブック
責任表示:
edited by Anikó Imre
出版情報:
2012
著者名:
Imre, Anikó.  
シリーズ名:
Wiley-Blackwell companions to national cinemas ;
ISBN:
9781118294345 [1118294343]  CiNii Books  Calil
9781118294376 [1118294378]  CiNii Books  Calil
9781283549615 [1283549611]  CiNii Books  Calil
9781118294383 [1118294386]  CiNii Books  Calil
注記:
Includes bibliographical references and index.
Introduction: Eastern European cinema from no end to the end (as we know it) / Anikó Imre -- New theoretical and critical frameworks. Body horror and post-socialist cinema: Gyorgy Polfis Taxidermia / Steven Shaviro -- El perro negro: transnational readings of database documentaries from Spain / Marsha Kinder -- Did somebody say Communism in the classroom? or, the value of analyzing totality in recent Serbian cinema / Zoran Samardzija -- Laughing into an abyss: cinema and Balkanization / Kriss Ravetto-Biagioli -- Jewish identities and generational perspectives / Catherine Portuges -- Aftereffects of 1989: Corneliu Porumboiu's 12:08 East of Bucharest (2006) and Romanian cinema / Alice Bardan -- Cinema beyond borders: Slovenian cinema in a world context / Meta Mazaj and Shekhar Deshpande -- Historical and spatial redefinitions. Center and periphery, or how Karel Vachek formed a new government / Alice Lovejoy -- The Polish black series documentary and the British Free Cinema movement / Bjorn Sorenssen -- Sociali
A Companion to Eastern European Cinemas showcases twenty-five essays written by established and emerging film scholars that trace the history of Eastern European cinemas and offer an up-to-date assessment of post-socialist film cultures. - Showcases critical historical work and up-to-date assessments of post-socialist film cultures - Features consideration of lesser known areas of study, such as Albanian and Baltic cinemas, popular genre films, cross-national distribution and aesthetics, animation and documentary - Places the cinemas of the region in a European and global context - Resists the Cold War classification of Eastern European cinemas as "other" art cinemas by reconnecting them with the main circulation of film studies - Includes discussion of such films as Taxidermia, El Perro Negro, 12:08 East of Bucharest Big Tõll, and Breakfast on the Grass and explores the work of directors including Tamás Almási, Walerian Borowczyk, Roman Polanski, Jerzy Skolimowski, Andrzej Zulawski, and Karel Vachek among
Print version record.
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岐阜大学構成員専用E-BOOKS (Gifu University members only)
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