| The theory and practice of adaptation |
Robert Stam |
| Improvements and reparations at Mansfield Park |
Tim Watson |
| Keeping the carcass in motion : adaptation and transmutations of the national in the last of the Mohicans |
Jacquelyn Kilpatrick |
| The discreet charm of the leisure class : Terence Davies's the house of mirth |
Richard Porton |
| In search of adaptation : Proust and film |
Melissa Anderson |
| The grapes of wrath : thematic emphasis through visual style |
Vivian C. Sobchack |
| Cape Fear and trembling : familial dread |
Kirsten Thompson |
| The carnival of repression : German left-wing politics and the lost honor of Katharina Blum |
Alexandra Seibel |
| Serial time : Bluebeard in Stepford |
Bliss Cua Lim |
| Boyz 'n the hood chronotope : Spike Lee, Richard Price, and the changing authorship of Clockers |
Paula J. Massood |
| Defusing the English patient |
Patrick Deer |
| Carnivals and goldfish : history and crisis in the butcher boy |
Jessica Scarlata |
| Passion or heartburn? the uses of humor in Esquivel's and Arau's Like water for chocolate |
Dianna C. Niebylski |
| Beloved : the adaptation of an American slave narrative |
Mia Mask |
| Oral traditions, literature, and cinema in Africa |
Mbye Cham |
| Memory and history in the politics of adaptation : revisiting the partition of India in tamas |
Ranjani Mazumdar |
| The written scene : writers as figures of cinematic redemption |
Paul Arthur |
| The theory and practice of adaptation |
Robert Stam |
| Improvements and reparations at Mansfield Park |
Tim Watson |
| Keeping the carcass in motion : adaptation and transmutations of the national in the last of the Mohicans |
Jacquelyn Kilpatrick |
| The discreet charm of the leisure class : Terence Davies's the house of mirth |
Richard Porton |
| In search of adaptation : Proust and film |
Melissa Anderson |
| The grapes of wrath : thematic emphasis through visual style |
Vivian C. Sobchack |
