Introduction : Is Dryden a classic? |
Paul Hammond |
Mac Flecknoe, Heir of Augustus |
Howard Erskine-Hill |
Dryden's Milton and the theatre of imagination |
Nicholas von Maltzahn |
Dryden and the staging of popular politics |
Paulina Kewes |
Constructing classicism : Dryden and Purcell |
Harold Love |
Dryden and Congreve's collaboration in The double dealer |
Jennifer Brady |
Alexander's feast, or, The power of musique : the poem and its readers |
Tom Mason and Adam Rounce |
Dryden, Tonson, and the patrons of The works of Virgil (1697) |
John Barnard |
'The last parting of Hector and Andromache' |
Robin Sowerby |
'According to my genius' : Dryden's translation of 'The first book of Homer's Ilias' |
James A. Winn |
The final 'Memorial of my own principles' : Dryden's alter egos in his later career |
Cedric D. Reverand II |
Dryden and the dissolution of things : the decay of structures in Dryden's later writing |
Steven N. Zwicker |
Editing, authenticity, and translation : re-presenting Dryden's poetry in 2000 |
David Hopkins |
Appendix : Some contemporary references to Dryden |
Paul Hammond |
Introduction : Is Dryden a classic? |
Paul Hammond |
Mac Flecknoe, Heir of Augustus |
Howard Erskine-Hill |
Dryden's Milton and the theatre of imagination |
Nicholas von Maltzahn |
Dryden and the staging of popular politics |
Paulina Kewes |
Constructing classicism : Dryden and Purcell |
Harold Love |
Dryden and Congreve's collaboration in The double dealer |
Jennifer Brady |