| I. The influence of the audience on Shakespeare's drama |
|
| II. Humdrum & Harum-Scarum : a lecture on free verse |
|
| III. Poetic diction |
|
| IV. A critical introduction to Keats |
|
| V. George Darley |
|
| VI. The poems of Mary Coleridge |
|
| VII. Lord de Tabley's poems |
|
| VIII. Dante in English literature |
|
| IX. The poems of Emily Brontë |
|
| X. Dryden on Milton |
|
| XI. Studies in poetry |
|
| XII. Springs of Helicon |
|
| XIII. Wordsworth & Kipling |
|
| XIV. Word-books |
|
| XV. Letter on English prosdy & note on Neo-Miltonics |
|
| XVI. The bible |
|
| XVII. Bunyan's Pilgrim's progress |
|
| XVIII. Sir Thomas Browne |
|
| XIV. George Santayana |
|
| XX. The glamour of grammar |
|
| XXI. The musical setting of poetry |
|
| XXII. Some principles of hymn-singing |
|
| XXIII. About hymns |
|
| XXIV. English canting |
|
| XXV. Chanting |
|
| XXVI. Psalms noted in speech rhythm |
|
| XXVII. An address to the Swidon W. E. A. |
|
| XXVIII. The necessity of poetry |
|
| XXIX. Poetry |
|
| XXX. Appendix |
|
| I. The influence of the audience on Shakespeare's drama |
|
| II. Humdrum & Harum-Scarum : a lecture on free verse |
|
| III. Poetic diction |
|
| IV. A critical introduction to Keats |
|
| V. George Darley |
|
| VI. The poems of Mary Coleridge |
|
