The Current scene in linguistics |
by N. Chomsky |
Realism and the three styles |
by E. Auerbach |
The Meaning of "literal," |
by O. Barfield |
On sentence-length |
by G.U. Yule |
Monosyllabic lines and words |
by A.C. Bradley |
Shakespeare and the language of poetry |
by O. Jespersen |
The Baroque style in prose |
by M.W. Croll |
Jonson's dramatic prose |
by J.A. Barish |
The Language of the metaphysicals |
by G. Watson |
Milton and the vocabulary of verse and prose |
by H.S. Davies |
Science and English prose style, 1650-75 |
by R.F. Jones |
The Style of Dryden's prose |
by W.P. Ker |
Pope and the syntax of satire |
by J.P.W. Rogers |
Swift and syntactical connection |
by L.T. Milic |
Irony in eighteenth-century fiction |
by W.C. Booth |
The Consistency of Johnson's style |
by W.K. Wimsatt |
Syntax in Wordsworth's Prelude |
by D. Davie |
Scott's linguistic vagaries |
by E.M.W. Tillyard |
The language of the Victorians |
by F.W. Bateson |
On Dickens |
by W.A. Ward |
Dialect in the novels of Hardy and George Eliot |
by P. Ingham |
The First paragraph of James's Ambassadors |
by I. Watt |
The Holy language of modernism |
by D. Donoghue |
The Current scene in linguistics |
by N. Chomsky |
Realism and the three styles |
by E. Auerbach |
The Meaning of "literal," |
by O. Barfield |
On sentence-length |
by G.U. Yule |
Monosyllabic lines and words |
by A.C. Bradley |
Shakespeare and the language of poetry |
by O. Jespersen |