| "To flinch from modern varnish" : the appeal of the past to the Victorian imagination |
M. Gent |
| Matthew Arnold and the nightmare of history |
D.J. DeLaura |
| "Eternity our due" : time in the poetry of Robert Browning |
J.W. Harper |
| The poetry of distance : Tennyson's Idylls of the King |
J.D. Hunt |
| Pre-Raphaelite past and present : the poetry of the Rossettis |
J.H. Buckley |
| "The undying glory of dreams" : William Morris and the "Northland of old." |
R.C. Ellison |
| "The fine delight that fathers thought." : Gerard Manley Hopkins and the Romantic survival |
R. Preyer |
| The oeuvre takes shape : Yeats early poetry |
A. Goldman |
| History as repetition in Thomas Hardy's poetry : the example of "Wessex heights." |
J.H. Miller |
| Hardy, Yeats, and tradition |
L. Sage |
| Afterword: reflections on historical modes in the nineteenth century |
M. Peckham |
| "To flinch from modern varnish" : the appeal of the past to the Victorian imagination |
M. Gent |
| Matthew Arnold and the nightmare of history |
D.J. DeLaura |
| "Eternity our due" : time in the poetry of Robert Browning |
J.W. Harper |
| The poetry of distance : Tennyson's Idylls of the King |
J.D. Hunt |
| Pre-Raphaelite past and present : the poetry of the Rossettis |
J.H. Buckley |
| "The undying glory of dreams" : William Morris and the "Northland of old." |
R.C. Ellison |
