| Halperin, J. The theory of the novel: a critical introduction |
|
| The genre today: Sternberg, M. What is exposition? An essay in temporal delimitation. Martin, R. B. Notes toward a comic fiction. Buchen, I. H. The aesthetics of the supra-novel. Litz, A. W. The genre of Ulysses. Friedman, A. W. The modern multivalent no |
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| The genre today revisited: fiction and cinematography: Edel, L. Novel and camera. Fiedler, L. A. The death and rebirth of the novel |
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| Literary realism and the facts of life: Kaminsky, A. R. On literary realism. Levine, G. Realism reconsidered. Loofbourow, J. W. Realism in the Anglo-American novel: the pastoral myth. Mudrick, M. Looking for Kellermann; or, Fiction and the facts of life |
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| Tone, intention, and point of view: Wright, W. F. Tone in fiction. Heilman, R. B. Two-tone fiction: nineteenth-century types and eighteenth-century problems. Allen, W. Narrative distance, tone, and character. Fogle, R. H. Illusion, point of view, and mod |
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| The Europeans. Halperin, J. Twentieth-century trends in continental novel-theory |
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| Approaches to fiction: a select descriptive bibliography (p. [389]-392) |
|
| Halperin, J. The theory of the novel: a critical introduction |
|
| The genre today: Sternberg, M. What is exposition? An essay in temporal delimitation. Martin, R. B. Notes toward a comic fiction. Buchen, I. H. The aesthetics of the supra-novel. Litz, A. W. The genre of Ulysses. Friedman, A. W. The modern multivalent no |
|
| The genre today revisited: fiction and cinematography: Edel, L. Novel and camera. Fiedler, L. A. The death and rebirth of the novel |
|
| Literary realism and the facts of life: Kaminsky, A. R. On literary realism. Levine, G. Realism reconsidered. Loofbourow, J. W. Realism in the Anglo-American novel: the pastoral myth. Mudrick, M. Looking for Kellermann; or, Fiction and the facts of life |
|
| Tone, intention, and point of view: Wright, W. F. Tone in fiction. Heilman, R. B. Two-tone fiction: nineteenth-century types and eighteenth-century problems. Allen, W. Narrative distance, tone, and character. Fogle, R. H. Illusion, point of view, and mod |
|
| The Europeans. Halperin, J. Twentieth-century trends in continental novel-theory |
|
