The value of narrativity in the representation of reality |
Hayden White |
Narration in the psychoanalytic dialogue |
Roy Schafer |
The law of genre |
Jacques Derrida ; translated by Avital Ronell |
Secrets and narrative sequence |
Frank Kermode |
Twisted tales, or, Story, study, and symphony |
Nelson Goodman |
What novels can do that films can't (and vice versa) |
Seymour Chatman |
Social dramas and stories about them |
Victor Turner |
Narrative time |
Paul Ricoeur |
It was a dark and stormy night, or, Why are we huddling about the campfire? |
Ursula K. Le Guin |
Afterthoughts on narrative, I. On the how, what, and why of narrative |
Paul Hernadi |
Afterthoughts on narrative, II. Language, narrative, and anti-narrative |
Robert Scholes |
Afterthoughts on narrative, III. Narrative versions, narrative theories |
Barbara Herrnstein Smith |
Critical response, I. Everyman his or her own annalist |
Louis O. Mink |
Critical response, II. "The otherwise unnoteworthy year 711" : a reply to Hayden White |
Marilyn Robinson Waldman |
Critical response, III. The narrativization of real events |
Hayden White |
Critical response, IV. The telling and the told |
Nelson Goodman |
Critical response, V. Reply to Barbara Herrnstein Smith |
Seymour Chatman |
The value of narrativity in the representation of reality |
Hayden White |
Narration in the psychoanalytic dialogue |
Roy Schafer |
The law of genre |
Jacques Derrida ; translated by Avital Ronell |
Secrets and narrative sequence |
Frank Kermode |
Twisted tales, or, Story, study, and symphony |
Nelson Goodman |
What novels can do that films can't (and vice versa) |
Seymour Chatman |